Uniqlo x KAWS x Peanuts Snoopy & Woodstock Tee "White"

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Uniqlo x KAWS x Peanuts Snoopy & Woodstock Tee "White"
₹12,499.00
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The Uniqlo x KAWS x Peanuts Snoopy & Woodstock Tee in White is a cult-classic piece from the landmark Spring/Summer 2017 collection, a three-way collaboration that sent streetwear and art collectors into a frenzy. This isn’t just a t-shirt—it’s a wearable meeting of minds between Japanese retail giant Uniqlo, the subversive New York artist KAWS, and the beloved illustrated world of Charles Schulz. Originally released on April 28, 2017 and priced at a modest $15, the tee quickly became a symbol of accessible high-art cool, and today it remains a sought-after gem on the resell market. Cut from a crisp, midweight cotton jersey, the tee offers both structure and a lived-in softness, with a standard crewneck, short sleeves, and a ribbed collar that holds its shape wear after wear. The bright white base serves as the perfect gallery wall for the graphic, which brings KAWS’ signature intervention to two of Peanuts’ most iconic characters. Placed large across the chest, the print depicts Snoopy and his tiny feathered sidekick Woodstock locked in a warm embrace—but with a surreal, streetwise twist. True to KAWS’ unmistakable visual language, both characters are reimagined with his trademark “X” eyes, replacing Schulz’s traditional dot-and-note eyes with bold, crossed-out voids. The change is minimal yet profound: it transforms the innocent hug into a moment of melancholic, almost existential affection, all while retaining the original linework that makes the Peanuts aesthetic so instantly recognizable. The print itself sits flush on the fabric with a slightly matte, soft-hand finish that avoids the heavy, plasticized feel of inferior graphics. The composition is balanced and intentional—Snoopy’s long, curved body cradles Woodstock as the little bird nestles into his chest, both pairs of X’d-out eyes gentle yet haunting. KAWS’ name is discreetly integrated into the design, often appearing as a small copyright-style marking beneath the illustration, a nod to his early days as a street artist reappropriating public imagery. The collaborative nature is further